the vision is coming together

bas.scd

@@ -0,0 +1,40 @@
+// Define the bass synth
+(
+SynthDef(\boC_bass, {
+    arg freq = 440, detune = 1.001, amp = 0.4, cutoff = 1000, attack = 0.5, decay = 1;
+
+    var osc1, osc2, mix, filter, env;
+
+    // Two sawtooth oscillators detuned slightly
+    osc1 = Pulse.ar(freq, amp); // First oscillator, base frequency
+    osc2 = Pulse.ar(freq * detune, amp); // Second oscillator, slightly detuned
+
+    // Mix both oscillators
+    mix = osc1 + osc2;
+
+    // Apply a low-pass filter to smooth the high frequencies
+    filter = LPF.ar(mix, cutoff); // Low-pass filter with customizable cutoff
+
+    // Envelope for shaping the sound
+    env = EnvGen.kr(Env.perc(attack, decay), doneAction: 2); // Short attack and decay
+
+    // Apply envelope to the filter and mix the result
+    filter = filter * env;
+
+    // Output the final sound to both left and right channels
+    Out.ar(0, filter.dup);
+}).add;
+)
+
+// Play the synth with default values
+x = Synth(\boC_bass, [\freq, 30.midicps]);
+
+// You can also play the synth with custom arguments
+x = Synth(\boC_bass, [
+    \freq, 220,  // Set frequency
+    \detune, 1.005,  // Slightly different detune
+    \amp, 0.5,  // Amp (volume)
+    \cutoff, 400,  // Filter cutoff frequency
+    \attack, 0.05,  // Attack time
+    \decay, 0.3   // Decay time
+]);

live/granular_EF-edit.scd

@@ -43,13 +43,13 @@ SynthDef(\cantorial_tremolo, { |out, pan = 0, dur = 0.1, atk=0.3, dec=0.4, sus=0
 Ppar([
     Pbind(
         \instrument, \cantorial_trill,
-		\dur, 1,   // Adjust as needed
+		\dur, 0.1,   // Adjust as needed
-		\amp, 1,     // Amplitude (adjust as needed)
+		\amp, 0.5,     // Amplitude (adjust as needed)
         \pan, 0,     // Pan position
     ),
     Pbind(
         \instrument, \cantorial_tremolo,
-		\dur, 0.2,   // Adjust as needed
+		\dur, 0.1,   // Adjust as needed
 		\amp, 1,     // Amplitude (adjust as needed)
         \pan, 0,     // Pan position for the second synth (can be changed)
     )
@@ -83,7 +83,7 @@ SynthDef(\cantorial_trill, { |out, pan = 0, dur = 0.5, atk=0.3, dec=0.4, sus=0.1
         dur: dur,
         sndbuf: b,
         rate: 1,
-        pos: 0.01,
+        pos: 0.02,
         interp: 2,
         pan: pan,
         envbufnum: -1,
@@ -95,7 +95,7 @@ SynthDef(\cantorial_trill, { |out, pan = 0, dur = 0.5, atk=0.3, dec=0.4, sus=0.1
 	sig = LPF.ar(sig, crf);
 
 	Out.ar(out, sig);
-}).play;
+}).add;
 )
 )
 

pads/mel leftovers.scd

@@ -0,0 +1,79 @@
+(
+SynthDef(\mellotronFlute, {
+    arg freq = 440, amp = 0.3, gate = 1, pan = 0, vibratoRate = 1, vibratoDepth = 0.15,
+        noiseLevel = 0.2, ringModFreq = 3, lpfFreq = 1200, res = 0.8, lpfLfoRate = 1, lpfLfoDepth = 80,
+        detune = 0.005; // Detune amount (in ratio)
+
+    var sig, osc1, osc2, vibrato, noise, env, lpfMod, freq1, freq2;
+
+    // Natural vibrato (LFO)
+    vibrato = SinOsc.kr(vibratoRate, 0, vibratoDepth).range(0.98, 1.02);
+
+    // Detuned frequencies (slight offsets)
+    freq1 = freq * (1.01); // Slightly sharp
+	freq2 = freq * (1.01); // Slightly flat
+
+    // 1st Oscillator: Triangle waves with vibrato
+    osc1 = Mix([
+        LFTri.ar(freq1 * vibrato),
+        LFTri.ar(freq2 * vibrato)
+    ]) * 0.5; // Mix detuned voices
+
+    // Pink noise mixed into the first oscillator for breathiness
+	noise = PinkNoise.ar(noiseLevel);
+    osc1 = Mix([osc1, noise * 0.5]); // Blend noise into osc1
+
+    // 2nd Oscillator: Detuned ring modulation for a natural tone
+    osc2 = Mix([
+        Saw.ar(freq1 * ringModFreq),
+        SinOscFB.ar(freq2 * ringModFreq)
+    ]) * 0.5 * osc1; // Ring-modulated with detuned pair
+
+    // Mix oscillators together
+    sig = Mix([ osc1, osc2 * 0.5]);
+
+    // LFO for filter frequency modulation
+    lpfMod = SinOsc.kr(lpfLfoRate).range(lpfFreq - lpfLfoDepth, lpfFreq + lpfLfoDepth);
+
+    // Low-pass filter with LFO modulation and slight resonance
+    sig = RLPF.ar(sig, lpfMod, res);
+
+    // Envelope (slow attack for a natural swell)
+    env = EnvGen.kr(Env.adsr(0.2, 3, 1, 1), gate, doneAction: 2);
+
+
+    // Apply envelope and amp
+    sig = sig * env * amp;
+
+	// sig = sig.tanh(8);
+	sig = BLowShelf.ar(sig, 200, 0.5, 9);
+	// sig = sig.blend(GVerb.ar(sig, 200, 4), 0.15);
+
+
+
+
+	// sig = sig.blend(BPF.ar(sig, 800, 0.5), 0.9);
+    // Output with panning
+    Out.ar(0, Pan2.ar(sig, pan));
+}).add;
+)
+
+// Play the flute synth
+x = Synth(\mellotronFlute, [\freq, 53.midicps, \detune, 0.1]); // Slight detune for a richer sound
+
+
+
+
+
+(
+
+Pbind(
+    \instrument, \mellotronFlute,  // Use your SynthDef
+	// \freq, Pseq([40, 37, 38, 30, 45, 30].midicps, inf), // Sequence of MIDI notes converted to Hz
+	\freq, Pseq([[48, 20, 53], [10, 58, 60], [10, 55, 63], [12, 55, 58]].midicps, inf), // Sequence of MIDI notes converted to Hz
+	// \freq, Pseq([[50, 65], [55, 72], [72, 74], [48, 20]].midicps, inf), // Sequence of MIDI notes converted to Hz
+    \detune, Pseq([0.2], inf), // Varying detune values
+	\dur, Pseq([2], inf), // Duration per note
+	// \amp, 0.02;
+).play;
+)

pads/mel.scd

@@ -1,98 +1,54 @@
 (
-SynthDef(\mellotronFlute, {
+SynthDef(\mellotron, {
     arg freq = 440, amp = 0.8, gate = 1, pan = 0, vibratoRate = 1, vibratoDepth = 0.15,
         noiseLevel = 0.2, ringModFreq = 3, lpfFreq = 2000, res = 0.8, lpfLfoRate = 1, lpfLfoDepth = 100,
-        detune = 0.005; // Detune amount (in ratio)
+        detune = 0.005;
 
     var sig, osc1, osc2, vibrato, noise, env, lpfMod, freq1, freq2;
 
-    // Natural vibrato (LFO)
     vibrato = SinOsc.kr(vibratoRate, 0, vibratoDepth).range(0.98, 1.02);
 
-    // Detuned frequencies (slight offsets)
+    freq1 = freq * (0.99);
-    freq1 = freq * (0.99); // Slightly sharp
+	freq2 = freq * (1.01);
-	freq2 = freq * (1.01); // Slightly flat
 
-    // 1st Oscillator: Triangle waves with vibrato
     osc1 = Mix([
         LFTri.ar(freq1 * vibrato),
         LFTri.ar(freq2 * vibrato)
-    ]) * 0.5; // Mix detuned voices
+    ]) * 0.5;
 
-    // Pink noise mixed into the first oscillator for breathiness
 	noise = WhiteNoise.ar(noiseLevel);
-    osc1 = Mix([osc1, noise * 0.5]); // Blend noise into osc1
+    osc1 = Mix([osc1, noise * 0.5]);
 
-    // 2nd Oscillator: Detuned ring modulation for a natural tone
+	osc2 = Mix([
-    osc2 = Mix([
         Saw.ar(freq1 * ringModFreq),
         SinOscFB.ar(freq2 * ringModFreq)
-    ]) * 0.5 * osc1; // Ring-modulated with detuned pair
+    ]) * 0.5 * osc1;
 
-    // Mix oscillators together
     sig = Mix([ osc1, osc2 * 0.5]);
 
-    // LFO for filter frequency modulation
     lpfMod = SinOsc.kr(lpfLfoRate).range(lpfFreq - lpfLfoDepth, lpfFreq + lpfLfoDepth);
-
-    // Low-pass filter with LFO modulation and slight resonance
     sig = RLPF.ar(sig, lpfMod, res);
 
-    // Envelope (slow attack for a natural swell)
     env = EnvGen.kr(Env.adsr(0.2, 3, 1, 2), gate, doneAction: 2);
 
-
-    // Apply envelope and amp
     sig = sig * env * amp;
 
 	sig = sig.tanh(8);
 	sig = BLowShelf.ar(sig, 200, 0.5, 9);
-	// sig = sig.blend(GVerb.ar(sig, 200, 4), 0.15);
-
 
-
-
-	// sig = sig.blend(BPF.ar(sig, 800, 0.5), 0.9);
-    // Output with panning
     Out.ar(0, Pan2.ar(sig, pan));
 }).add;
 )
 
-// Play the flute synth
-x = Synth(\mellotronFlute, [\freq, 53.midicps, \detune, 0.1]); // Slight detune for a richer sound
-
-
-
-
-
-
-(
-Pbind(
-    \instrument, \mellotronFlute,  // Use your SynthDef
-	\freq, Pseq([[48, 20, 53], [10, 58, 60], [55, 72, 74], [10, 63, 70]].midicps, inf), // Sequence of MIDI notes converted to Hz
-	// \freq, Pseq([[50, 65], [55, 72], [72, 74], [48, 20]].midicps, inf), // Sequence of MIDI notes converted to Hz
-    \detune, Pseq([0.2], inf), // Varying detune values
-	\dur, Pseq([2], inf), // Duration per note
-	\amp, 0.08
-	;
-).play;
-)
-
-
-
-
-
-
 
 (
 Pbind(
-    \instrument, \mellotronFlute,  // Use your SynthDef
+    \instrument, \mellotron,
-	// \freq, Pseq([[53]].midicps, inf), // Sequence of MIDI notes converted to Hz
+	\freq, Pseq([
-	\freq, Pseq([[50, 65], [55, 72], [72, 74], [48, 20]].midicps, inf), // Sequence of MIDI notes converted to Hz
+		[48, 20, 53], [10, 58, 60], [55, 72, 74], [10, 63, 70],
-    \detune, 1.01, // Varying detune values
+		[48, 20, 53], [10, 58, 60], [10, 55, 63], [12, 55, 58]
-	\dur, Pseq([0.8], inf), // Duration per note
+	].midicps, inf),
-	\amp, 0.1;
+	\dur, 2,
 ).play;
 )
 
-

padsynth practice.scd

@@ -71,7 +71,7 @@ MIDIdef.noteOn(\noteOnTest, {
 	arg vel, nn, chan, src;
 	[vel, nn].postln;
 	~notes[nn] = Synth.new(
-		\rhubarb,
+		\mellotronFlute,
 		[
 			\freq, nn.midicps,
 			\amp, vel.linexp(1,127,0.01,0.3),