first sounds
parent
458b189b9f
commit
33e6cc729e
SSH Key Fingerprint:
SHA256:vnrR5ilHkdr6L4t2yOMUMINFPpxEh+53N3nMel66mCw
@ -0,0 +1,45 @@
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MIDIClient.init;
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MIDIClient.sources.do;
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MIDIIn.connect(0);
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MIDIIn.connectAll;
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(
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~sampleDir = PathName("~/snd/samples/808/").fullPath;
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~samples = (
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42: Buffer.read(s, ~sampleDir +/+ "Cls'dHihat.wav"),
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46: Buffer.read(s, ~sampleDir +/+ "OpenHiHat.wav"),
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49: Buffer.read(s, ~sampleDir +/+ "CYmbal.wav"),
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56: Buffer.read(s, ~sampleDir +/+ "CowBell.wav"),
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39: Buffer.read(s, ~sampleDir +/+ "handClaP.wav"),
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37: Buffer.read(s, ~sampleDir +/+ "RimShot.wav"),
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50: Buffer.read(s, ~sampleDir +/+ "HiTom.wav"),
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47: Buffer.read(s, ~sampleDir +/+ "MidTom.wav"),
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43: Buffer.read(s, ~sampleDir +/+ "LowTom.wav"),
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38: Buffer.read(s, ~sampleDir +/+ "SnareDrum.wav"),
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36: Buffer.read(s, ~sampleDir +/+ "BassDrum.wav"),
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70: Buffer.read(s, ~sampleDir +/+ "MAracas.wav"),
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75: Buffer.read(s, ~sampleDir +/+ "CLaves.wav"),
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62: Buffer.read(s, ~sampleDir +/+ "HiConga.wav"),
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63: Buffer.read(s, ~sampleDir +/+ "MidConga.wav"),
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64: Buffer.read(s, ~sampleDir +/+ "LowConga.wav")
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);
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);
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~playSample = { |note|
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var buf = ~sample[note];
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if (buf.notNil) {
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Synth(\samplePlayer, [\buf, buf]);
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};
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};
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MIDIdef.noteOn(\tr08Trigger, { |vel, note, chan, src|
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~playSample.(note);
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});
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MIDIdef.cc[\cc_debug, { |val, num, chan, src|
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[num, val].postln;
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});
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@ -0,0 +1,73 @@
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// been listening to a lot of vangelis/wendy carlos recently
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// largely modified from the cs80_mh in synthdefpool
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(
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var scale,fund;
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scale = [0,3,7];
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fork{
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loop{
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var t = [16,32].choose;
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fund = 26+[0,3,7,10,14].choose;
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fund.postln;
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t.wait;
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};
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};
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fork{
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loop{
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var t = 1/2;
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var a,d,s,r,fa,fd,fs,fr,ratio,dtune,freq,
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ffreq,vibrate,vibdepth,cutoff,amp;
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freq = (scale.choose+fund+(12*(0..3).choose)).midicps;
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vibrate = t/(1..10).choose;
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vibdepth = (90..500).choose.reciprocal;
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dtune = 1e-3; LFNoise0.kr(t,0.02,1);
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cutoff = freq * (1.1,1.2..4).choose;
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ratio = (0.99,0.991..1.01).choose;
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amp = 1/3;
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a = 3.0.rand/t;
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s = 3.0.rand/t;
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r = 3.0.rand/t;
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fa = 3.0.rand/t;
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fs = 3.0.rand/t;
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fr = 3.0.rand/t;
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play{
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var env, fenv, sig, gate, vib;
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gate = Line.kr(1,0,t);
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env = EnvGen.kr(Env.linen(a,s,r),doneAction:2);
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fenv = EnvGen.kr(Env.linen(fa,fs,fr));
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freq = Line.kr(freq,freq*ratio,t);
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vib = SinOsc.kr(vibrate).range(vibdepth.neg,vibdepth)+1;
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freq = vib*freq;
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//freq = freq.lag(t);
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sig = Select.ar(2.rand,[
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Pulse.ar([freq,freq*(1+dtune),freq*(1-dtune)],
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LFNoise2.kr(t,0.5,0.5), 0.1).sum,
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Saw.ar([freq,freq*(1+dtune),freq*(1-dtune)]).sum
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]);
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sig = sig.tanh * env;
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ffreq = max(fenv*freq*12,cutoff)+100;
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sig = MoogFF.ar(sig,ffreq,LFNoise2.kr(1/t,1.4,1.5)).tanh;
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sig = RLPF.ar(sig,1e4,0.9).tanh;
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Pan2.ar(sig*amp,LFNoise2.kr(t.rand));
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};
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t.wait;
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};
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};
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// this was inspired by http://sccode.org/1-4EG
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// good way to get the reverb out of the loop...
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// thanks rukano ;)
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{
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var in = In.ar(0,2);
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in = in * 0.25;
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in = Compander.ar(in,in,0.75,1,0.75,0.1,0.4);
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in = (in*0.2) + GVerb.ar(HPF.ar(in,100), 20, 20, mul:0.6).tanh;
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in = Limiter.ar(LeakDC.ar(in));
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ReplaceOut.ar(0, in)
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}.play(addAction:\addToTail);
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)
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MIDIClient.init;
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MIDIIn.connectAll;
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(
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SynthDef(\rhubarb, {
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|freq = 440, gate = 1, cutoff = 1000, rq = 0.3, amp = 0.05, modDepth = 0.3, noiseLevel = 0.05|
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var env, osc, filt, lfo, noise, sig;
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// Single Sawtooth Oscillator
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osc = SinOsc.ar(freq);
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// Subtle Noise Layer
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// noise = PinkNoise.ar(noiseLevel);
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// LFO to Modulate Filter
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lfo = LFNoise0.kr(4).range(1 - modDepth, 1 + modDepth); // Triangle LFO at 2.94 Hz
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// Low-pass filter modulated by LFO
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filt = RLPF.ar(osc, cutoff * lfo, rq);
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// ADSR Envelope with Long Attack & Release
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env = EnvGen.kr(Env.adsr(0.0, 0.3, 0.8, 2.0), gate, doneAction: 2);
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sig = Pan2.ar(filt * env * amp, 0);
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// Output
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Out.ar(0, sig);
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}).add;
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)
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(
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~midiNotes = Dictionary.new; // Store active notes
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MIDIdef.noteOn(\rhubarb_on, { |vel, num, chan, src|
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var freq = num.midicps; // Convert MIDI note to frequency
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var amp = vel / 127; // Normalize velocity (0 to 1)
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// Create the synth and store it in a dictionary
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~midiNotes[num] = Synth(\rhubarb, [
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\freq, freq,
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\amp, amp * 0.1, // Adjust for a reasonable volume
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\cutoff, 1200
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]);
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});
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MIDIdef.noteOff(\rhubarb_off, { |vel, num, chan, src|
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~midiNotes[num].set(\gate, 0); // Release the synth
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~midiNotes.remove(num); // Remove from dictionary
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});
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)
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(
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Pbind(
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\instrument, \rhubarb,
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/*\degree, Pseq([
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[2, 4, 7, 12], [1, 5, 9], [4, 7, 11], [5, 9, 8]
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], inf), // Chord progression*/
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\degree, Pseq([[2, 7, 11], [1, 5, 9], [3, 9], [1,3,5]], inf),
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\dur, 0.5, // Duration of each chord
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\amp, 0.08, // Volume
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\cutoff, 1200,
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//\cutoff, Pseq([400, 600, 800]), // Filter cutoff frequency
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\detune, 12, // Slight detune
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\pan, Pwhite(-0.3, 0.3), // Random stereo width
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).play;
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)
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b = Buffer.read(s, "/home/lcoogan/snd/samples/church hill tunnel/owoah.wav");
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b.play;
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(
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{
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var sig;
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sig = GrainBuf.ar(
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1,
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Impulse.ar(10),
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0.09,
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b,
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1,
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0.2,
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2,
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0,
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512,
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);
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}.play
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)
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(
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SynthDef(\junoPad, {
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arg gate=1, freq=220, atk=4, sus=2, rel=6, amp=0.3;
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var sig, env, freqs, lfo, chorus, modRate, modDepth;
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// Slightly detuned saw waves
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freqs = freq * [1, 1.01, 0.99]; // Small detune
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sig = Mix(Saw.ar(freqs)); // Stack saw waves
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// LFO to slowly move filter cutoff
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lfo = SinOsc.kr(0.1).range(500, 2000);
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sig = RLPF.ar(sig, lfo, 0.3); // Low-pass filter with modulation
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// Envelope for smooth rise
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env = EnvGen.kr(Env.asr(atk, 1, rel), gate, doneAction:2);
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sig = sig * env * amp;
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// Chorus effect (emulates Juno-chorus)
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modRate = [0.3, 0.4]; // Two different modulation rates
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modDepth = 0.01; // Small pitch variation
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chorus = sig + DelayC.ar(sig, 0.02, SinOsc.kr(modRate).range(0, modDepth));
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// Reverb for space
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// sig = FreeVerb.ar(chorus, mix: 0.5, room: 0.8, damp: 0.5);
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sig = sig * chorus;
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Out.ar(0, sig);
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}).play;
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)
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(
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x = {
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var sig = WhiteNoise.ar(1!2);
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sig = CombL.ar(sig, 0.05, 1/[36.7, 37.3], 1, 0.2);
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sig = sig.blend(BPF.ar(sig, 1500, 0.5), 0.9);
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}.play(fadeTime: 2);
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)
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x.release;
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MIDIClient.init;
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MIDIClient.sources.do;
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(
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SynthDef(\rhubarb, {
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|freq = 440, gate = 1, cutoff = 1000, rq = 0.3, amp = 0.05, modDepth = 1, noiseLevel = 0.05|
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var env, osc, filt, lfo, noise, sig;
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// Single Sawtooth Oscillator
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osc = SinOsc.ar(freq);
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osc2 = SinOsc.ar(freq);
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// Subtle Noise Layer
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// noise = PinkNoise.ar(noiseLevel);
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// LFO to Modulate Filter
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lfo = LFNoise0.kr(4).range(1 - modDepth, 1 + modDepth); // Triangle LFO at 2.94 Hz
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// Low-pass filter modulated by LFO
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filt = SVF.ar(osc, cutoff * lfo, rq);u
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filt2 = BMoog.ar(osc, freq * lfo, rq);
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// ADSR Envelope with Long Attack & Release
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env = EnvGen.kr(Env.adsr(0.0, 0.3, 0.8, 2.0), gate, doneAction: 2);
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sig = Pan2.ar(filt * env * amp, 0);
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sig2 = Pan2.ar(filt * env * amp, 0);
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// Output
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Out.ar(0, sig);
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}).add;
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)
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(
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SynthDef(\rhubarb, {
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|freq = 440, gate = 1, cutoff = 1e4, rq = 0.3, amp = 0.05, modDepth = 0.3, modDepth2 = 0.5, noiseLevel = 0.8, ringFreq = 80|
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var env, osc1, osc2, osc3, filt1, filt2, filt3, lfo, lfo2, noise, noiseFilt, sig1, sig2, sig3, mix;
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// Slightly Different Oscillators
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osc1 = SinOsc.ar(freq);
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osc2 = SinOsc.ar(freq * 0.5); // Slight detune for variation
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osc3 = SawDPW.ar(freq * 2);
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// LFO to Modulate Filter Frequency
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lfo = LFNoise0.kr(4).range(1 - modDepth, 1 + modDepth);
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lfo2 = LFNoise2.kr(4).range(1 - modDepth, 1 + modDepth);
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// lfo2 = noise;
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// Apply Different Filters to Each Oscillator
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filt1 = SVF.ar(osc1, cutoff * lfo, rq);
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filt2 = LPF.ar(osc2, cutoff * lfo, rq);
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filt3 = BPF.ar(osc3, cutoff * lfo2, rq);
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// ADSR Envelope
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env = EnvGen.kr(Env.adsr(0.0, 0.3, 0.3, 0.1), gate, doneAction: 2);
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// Panning and Mixing
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sig1 = Pan2.ar(filt1 * env * amp, -0.3);
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sig2 = Pan2.ar(filt2 * env * amp, 0.3);
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sig3 = Pan2.ar(filt3 * env * amp, 0);
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mix = sig1 + sig2; // Mix main signals
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// mix = mix + (noise * env * noiseLevel); // Add noise with envelope control
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// mix = DelayC.ar(mix, maxdelaytime: 0.2, delaytime: 0.3);
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// Output
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Out.ar(0, mix);
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}).add;
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~synths = Dictionary.new; // Store active notes
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MIDIFunc.noteOn({ |vel, num, chan, src|
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var freq = num.midicps; // Convert MIDI note to Hz
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var amp = vel.linexp(1, 127, 0.05, 0.5); // Velocity mapping
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~synths[num] = Synth(\rhubarb, [\freq, freq, \amp, amp]); // Store synth instance
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});
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)
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(
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Pbind(
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\instrument, \rhubarb,
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/*\degree, Pseq([
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[2, 4, 7, 12], [1, 5, 9], [4, 7, 11], [5, 9, 8]
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], inf), // Chord progression*/
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// \degree, Pseq([[2, 7, 11], [1, 5, 9], [3, 9], [1,3,5]], inf),
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\degree, Pseq([2, 4, 11,], inf),
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// \dur, 0.5, // Duration of each chord
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\amp, 0.08, // Volume
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// \cutoff, 1200,
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\detune, 0, // Slight detune
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\pan, Pwhite(-0.3, 0.3), // Random stereo width
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).play;
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)
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(
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SynthDef(\pad, {
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var sig;
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sig = Mix(
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Out.ar(0, sig);
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}).play;
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)
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Reference in New Issue