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updated nmffilter demo (with strange behaviour)

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nix
Pierre Alexandre Tremblay 7 years ago
parent 9678f5450b
commit c6f26c38e4
1 changed files with 44 additions and 130 deletions
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release-packaging/HelpSource/Classes/FluidNMFFilter.schelp
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@ -4,7 +4,7 @@ CATEGORIES:: Libraries>FluidDecomposition
RELATED:: Guides/FluCoMa, Guides/FluidDecomposition, Classes/FluidBufNMF, Classes/FluidNMFMatch RELATED:: Guides/FluCoMa, Guides/FluidDecomposition, Classes/FluidBufNMF, Classes/FluidNMFMatch
DESCRIPTION:: DESCRIPTION::
The FluidNMFFilter object matches an incoming audio signal against a set of spectral templates using an slimmed-down version of Nonnegative Matrix Factorisation (NMF) footnote:: Lee, Daniel D., and H. Sebastian Seung. 1999. ‘Learning the Parts of Objects by Non-Negative Matrix Factorization’. Nature 401 (6755): 788–91. https://doi.org/10.1038/44565. :: The FluidNMFFilter object decomposes and resynthesises an incoming audio signal against a set of spectral templates using an slimmed-down version of Nonnegative Matrix Factorisation (NMF) footnote:: Lee, Daniel D., and H. Sebastian Seung. 1999. ‘Learning the Parts of Objects by Non-Negative Matrix Factorization’. Nature 401 (6755): 788–91. https://doi.org/10.1038/44565. ::
It outputs at AR the resynthesis of the best factorisation. The spectral templates are presumed to have been produced by the offline NMF process (link::Classes/FluidBufNMF::), and must be the correct size with respect to the FFT settings being used (FFT size / 2 + 1 frames long). The rank of the decomposition is determined by the number of channels in the supplied buffer of templates, up to a maximum set by the STRONG::maxRank:: parameter. It outputs at AR the resynthesis of the best factorisation. The spectral templates are presumed to have been produced by the offline NMF process (link::Classes/FluidBufNMF::), and must be the correct size with respect to the FFT settings being used (FFT size / 2 + 1 frames long). The rank of the decomposition is determined by the number of channels in the supplied buffer of templates, up to a maximum set by the STRONG::maxRank:: parameter.
@ -90,7 +90,7 @@ Routine {
// check for 2 spikes in the spectra // check for 2 spikes in the spectra
e.plot e.plot
// //listen how the filter isolates each component and places them in each channel separately.
{FluidNMFFilter.ar(SinOsc.ar(500),e,2)}.play {FluidNMFFilter.ar(SinOsc.ar(500),e,2)}.play
{FluidNMFFilter.ar(SinOsc.ar(5000),e,2)}.play {FluidNMFFilter.ar(SinOsc.ar(5000),e,2)}.play
@ -98,7 +98,7 @@ e.plot
{FluidNMFFilter.ar(SinOsc.ar([500,5000]).sum,e,2)}.play {FluidNMFFilter.ar(SinOsc.ar([500,5000]).sum,e,2)}.play
:: ::
STRONG::A pick compressor:: STRONG::A guitar processor::
CODE:: CODE::
//set some buffers //set some buffers
( (
@ -117,9 +117,9 @@ Routine {
) )
// wait for the query to print // wait for the query to print
// then find the rank that has the picking sound by changing which channel to listen to // then find the rank that has more sustain pitch than pick (TODO: use descriptors with stats)
( (
~element = 6; ~element = 1;
{PlayBuf.ar(10,c)[~element]}.play; {PlayBuf.ar(10,c)[~element]}.play;
) )
@ -135,11 +135,7 @@ Routine{
e.plot; e.plot;
//using this trained basis we can see the envelop (activations) of each rank //we can then use the resynthesised signal to sent in a delay
{FluidNMFMatch.kr(PlayBuf.ar(1,b),e,2,fftSize:2048)}.plot(1);
// the left/top activations are before, the pick before the sustain.
//we can then use the activation value to sidechain a compression patch that is sent in a delay
( (
{ {
var source, todelay, delay1, delay2, delay3, feedback, mod1, mod2, mod3, mod4; var source, todelay, delay1, delay2, delay3, feedback, mod1, mod2, mod3, mod4;
@ -153,12 +149,7 @@ e.plot;
mod4 = SinOsc.ar(((613 * 191) / (463 * 601)), 0, 0.001); mod4 = SinOsc.ar(((613 * 191) / (463 * 601)), 0, 0.001);
// compress the signal to send to the delays // compress the signal to send to the delays
todelay = DelayN.ar(source,0.1, 800/44100, //delaying it to compensate for FluidNMFMatch's latency todelay = FluidNMFFilter.ar(source,e,2,fftSize:2048)[0]; //reading the channel of the activations on the pick basis
LagUD.ar(K2A.ar(FluidNMFMatch.kr(source,e,2,fftSize:2048)[0]), //reading the channel of the activations on the pick basis
80/44100, // lag uptime (compressor's attack)
1000/44100, // lag downtime (compressor's decay)
(1/(2.dbamp) // compressor's threshold inverted
)).clip(1,1000).pow((8.reciprocal)-1)); //clipping it so we only affect above threshold, then ratio(8) becomes the exponent of that base
// delay network // delay network
feedback = LocalIn.ar(3);// take the feedback in for the delays feedback = LocalIn.ar(3);// take the feedback in for the delays
@ -167,143 +158,66 @@ e.plot;
delay3 = DelayC.ar(BPF.ar(todelay+feedback[1], 1456, 6.7,0.8),0.567,0.566+(mod1*mod3),0.6); delay3 = DelayC.ar(BPF.ar(todelay+feedback[1], 1456, 6.7,0.8),0.567,0.566+(mod1*mod3),0.6);
LocalOut.ar([delay1,delay2, delay3]); // write the feedback for the delays LocalOut.ar([delay1,delay2, delay3]); // write the feedback for the delays
source.dup + ([delay1+delay3,delay2+delay3]*(-3.dbamp)) source.dup + ([delay1+delay3,delay2+delay3]*(3.dbamp))
//listen to the delays in solo by uncommenting the following line //listen to the delays in solo by uncommenting the following line
// [delay1+delay3,delay2+delay3] // [delay1+delay3,delay2+delay3]
// [source, todelay]
}.play; }.play;
) )
:: ::
STRONG::Object finder:: STRONG::Strange Processor::
CODE:: CODE::
//set some buffers //set some buffers
( (
b = Buffer.read(s,File.realpath(FluidNMFMatch.class.filenameSymbol).dirname.withTrailingSlash ++ "../AudioFiles/Tremblay-BaB-SoundscapeGolcarWithDog.wav"); b = Buffer.read(s,File.realpath(FluidNMFMatch.class.filenameSymbol).dirname.withTrailingSlash ++ "../AudioFiles/Nicol-LoopE-M.wav");
c = Buffer.new(s); c = Buffer.alloc(s,1025,3);
x = Buffer.new(s); d = Buffer.alloc(s,44100);
e = Buffer.new(s);
) )
// train where all objects are present // play a source and circular record the last second, continuously
( (
Routine { e = { var source = PlayBuf.ar(1,b,loop:1);
FluidBufNMF.process(s,b,130000,150000,0,1, c, x, rank:10); BufWr.ar(source, d, Phasor.ar(1, end:44100));
c.query; source.dup;
}.play; }.play;
) )
// wait for the query to print // after at least 1 second, trigger a first factorisation
// then find a rank for each item you want to find. You could also sum them. Try to find a rank with a good object-to-rest ratio
(
~dog =2;
{PlayBuf.ar(10,c)[~dog]}.play
)
(
~bird = 3;
{PlayBuf.ar(10,c)[~bird]}.play
)
// copy at least one other rank to a third rank, a sort of left-over channel
( (
Routine { Routine {
FluidBufCompose.process(s, x, startChan:~dog, numChans: 1, destination: e); FluidBufNMF.process(s, d, bases:c, winSize:2048, rank:3);
FluidBufCompose.process(s, x, startChan:~bird, numChans: 1, destStartChan: 1, destination: e, destGain:1); c.query;
(0..9).removeAll([~dog,~bird]).do({|chan|FluidBufCompose.process(s,x, startChan:chan, numChans: 1, destStartChan: 2, destination: e, destGain:1)});
e.query;
}.play;
)
e.plot;
//using this trained basis we can then see the activation... (wait for 5 seconds before it prints!)
(
{
var source, blips;
//read the source
source = PlayBuf.ar(2, b);
blips = FluidNMFMatch.kr(source.sum,e,3);
}.plot(5);
)
// ...and use some threshold to 'find' objects...
(
{
var source, blips;
//read the source
source = PlayBuf.ar(2, b);
blips = Schmidt.kr(FluidNMFMatch.kr(source.sum,e,3),0.5,[10,1,1000]);
}.plot(5);
)
// ...and use these to sonify them
(
{
var source, blips, dogs, birds;
//read the source
source = PlayBuf.ar(2, b);
blips = Schmidt.kr(FluidNMFMatch.kr(source.sum,e,3),0.5,[10,1,1000]);
dogs = SinOsc.ar(100,0,Lag.kr(blips[0],0.05,0.15));
birds = SinOsc.ar(1000,0,Lag.kr(blips[1],0.05,0.05));
[dogs, birds] + source;
}.play; }.play;
) )
:: c.plot
STRONG::Pretrained piano::
CODE::
//load in the sound in and a pretrained basis
(
b = Buffer.read(s,File.realpath(FluidNMFMatch.class.filenameSymbol).dirname.withTrailingSlash ++ "../AudioFiles/Tremblay-SA-UprightPianoPedalWide.wav");
c = Buffer.read(s,File.realpath(FluidNMFMatch.class.filenameSymbol).dirname.withTrailingSlash ++ "../AudioFiles/filters/piano-dicts.wav");
)
b.play
c.query
//use the pretrained bases to compute activations of each notes to drive the amplitude of a resynth // wait for the query to print
// then start the splitting effect
( (
{ f = {var source = In.ar(0,2);
var source, resynth; ReplaceOut.ar(0, Splay.ar(FluidNMFFilter.ar(source.sum, c, 3, winSize:2048)));
source = PlayBuf.ar(2, b,loop:1).sum; }.play(addAction:\addToTail);
resynth = SinOsc.ar((21..108).midicps, 0, FluidNMFMatch.kr(source,c,88,10,4096).madd(0.002)).sum;
[source, resynth]
}.play
) )
// kill this boring splitter
f.free;
//now sample and hold the same stream to get notes identified, played and sent back via osc // more fun: processing the 3 rank independently
(
{
var source, resynth, chain, trig, acts;
source = PlayBuf.ar(2,b,loop:1).sum;
// built in attack detection, delayed until the stable part of the sound
chain = FFT(LocalBuf(256), source);
trig = TDelay.kr(Onsets.kr(chain, 0.5),0.1);
// samples and holds activation values that are scaled and capped, in effect thresholding them
acts = Latch.kr(FluidNMFMatch.kr(source,c,88,10,4096).linlin(15,20,0,0.1),trig);
// resynths as in the previous example, with the values sent back to the language
resynth = SinOsc.ar((21..108).midicps, 0, acts).sum;
SendReply.kr(trig, '/activations', acts);
[source, resynth]
// [source, T2A.ar(trig)]
// resynth
}.play
)
// define a receiver for the activations
( (
OSCdef(\listener, {|msg| f = {var source, x,y,z, rev, dist, bases = c.bufnum;
var data = msg[3..]; source = In.ar(0,2);
// removes the silent and spits out the indicies as midinote number #x,y,z = FluidNMFFilter.ar(source.sum, bases, 3, winSize:2048);
data.collect({arg item, i; if (item > 0.01, {i + 21})}).reject({arg item; item.isNil}).postln; rev = FreeVerb.ar(x);
}, '/activations'); dist = (z * 10).atan * 0.1;
ReplaceOut.ar(0, Splay.ar([rev,y,dist]));
}.play(addAction:\addToTail);
) )
// here you can retrigger the factorisation
g = Buffer.alloc(s,1025,3);
FluidBufNMF.process(s, d, bases:g, winSize:2048, rank:3);
f.set(\bases, g.bufnum)
//free
f.free; e.free;
:: ::
STRONG::Strange Resonators::
CODE::
//to be completed
::
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