(
SynthDef(\junoPad, {
    arg gate=1, freq=220, atk=4, sus=2, rel=6, amp=0.3;
    var sig, env, freqs, lfo, chorus, modRate, modDepth;

    // Slightly detuned saw waves
    freqs = freq * [1, 1.01, 0.99]; // Small detune
    sig = Mix(Saw.ar(freqs)); // Stack saw waves

    // LFO to slowly move filter cutoff
    lfo = SinOsc.kr(0.1).range(500, 2000);
    sig = RLPF.ar(sig, lfo, 0.3); // Low-pass filter with modulation

    // Envelope for smooth rise
    env = EnvGen.kr(Env.asr(atk, 1, rel), gate, doneAction:2);
    sig = sig * env * amp;

    // Chorus effect (emulates Juno-chorus)
    modRate = [0.3, 0.4]; // Two different modulation rates
    modDepth = 0.01; // Small pitch variation
    chorus = sig + DelayC.ar(sig, 0.02, SinOsc.kr(modRate).range(0, modDepth));

    // Reverb for space
	// sig = FreeVerb.ar(chorus, mix: 0.5, room: 0.8, damp: 0.5);

	sig = sig * chorus;

    Out.ar(0, sig);
}).play;
)


(

x = {

     var sig = WhiteNoise.ar(1!2);

     sig = CombL.ar(sig, 0.05, 1/[36.7, 37.3], 1, 0.2);

     sig = sig.blend(BPF.ar(sig, 1500, 0.5), 0.9);

}.play(fadeTime: 2);

)


x.release;


MIDIClient.init;
MIDIClient.sources.do;


(
SynthDef(\rhubarb, {
    |freq = 440, gate = 1, cutoff = 1000, rq = 0.3, amp = 0.05, modDepth = 1, noiseLevel = 0.05|
    var env, osc, filt, lfo, noise, sig;

    // Single Sawtooth Oscillator
	osc = SinOsc.ar(freq);
	osc2 = SinOsc.ar(freq);

    // Subtle Noise Layer
	// noise = PinkNoise.ar(noiseLevel);

    // LFO to Modulate Filter
    lfo = LFNoise0.kr(4).range(1 - modDepth, 1 + modDepth); // Triangle LFO at 2.94 Hz

    // Low-pass filter modulated by LFO
    filt = SVF.ar(osc, cutoff * lfo, rq);u
	filt2 = BMoog.ar(osc, freq * lfo, rq);

    // ADSR Envelope with Long Attack & Release
    env = EnvGen.kr(Env.adsr(0.0, 0.3, 0.8, 2.0), gate, doneAction: 2);

	sig = Pan2.ar(filt * env * amp, 0);
	sig2 = Pan2.ar(filt * env * amp, 0);

    // Output
    Out.ar(0, sig);
}).add;
)

(
SynthDef(\rhubarb, {
    |freq = 440, gate = 1, cutoff = 1e4, rq = 0.3, amp = 0.05, modDepth = 0.3, modDepth2 = 0.5, noiseLevel = 0.8, ringFreq = 80|
    var env, osc1, osc2, osc3, filt1, filt2, filt3, lfo, lfo2, noise, noiseFilt, sig1, sig2, sig3, mix;

    // Slightly Different Oscillators
    osc1 = SinOsc.ar(freq);
    osc2 = SinOsc.ar(freq * 0.5); // Slight detune for variation
    osc3 = SawDPW.ar(freq * 2);

    // LFO to Modulate Filter Frequency
    lfo = LFNoise0.kr(4).range(1 - modDepth, 1 + modDepth);
    lfo2 = LFNoise2.kr(4).range(1 - modDepth, 1 + modDepth);
	// lfo2 = noise;

    // Apply Different Filters to Each Oscillator
	filt1 = SVF.ar(osc1, cutoff * lfo, rq);
    filt2 = LPF.ar(osc2, cutoff * lfo, rq);
	filt3 = BPF.ar(osc3, cutoff * lfo2, rq);


    // ADSR Envelope
    env = EnvGen.kr(Env.adsr(0.0, 0.3, 0.3, 0.1), gate, doneAction: 2);

    // Panning and Mixing
	sig1 = Pan2.ar(filt1 * env * amp, -0.3);
    sig2 = Pan2.ar(filt2 * env * amp, 0.3);
    sig3 = Pan2.ar(filt3 * env * amp, 0);

    mix = sig1 + sig2; // Mix main signals
	// mix = mix + (noise * env * noiseLevel); // Add noise with envelope control

	// mix = DelayC.ar(mix, maxdelaytime: 0.2, delaytime: 0.3);

    // Output
    Out.ar(0, mix);
}).add;


~synths = Dictionary.new; // Store active notes

MIDIFunc.noteOn({ |vel, num, chan, src|
    var freq = num.midicps; // Convert MIDI note to Hz
    var amp = vel.linexp(1, 127, 0.05, 0.5); // Velocity mapping

    ~synths[num] = Synth(\rhubarb, [\freq, freq, \amp, amp]); // Store synth instance
});
)



(
Pbind(
    \instrument, \rhubarb,
    /*\degree, Pseq([
		[2, 4, 7, 12], [1, 5, 9], [4, 7, 11], [5, 9, 8]
	], inf), // Chord progression*/
	// \degree, Pseq([[2, 7, 11], [1, 5, 9], [3, 9], [1,3,5]], inf),
	\degree, Pseq([2, 4, 11,], inf),
	// \dur, 0.5,       // Duration of each chord
    \amp, 0.08,     // Volume
	// \cutoff, 1200,
	\detune, 0,  // Slight detune
    \pan, Pwhite(-0.3, 0.3), // Random stereo width
).play;
)


(
SynthDef(\pad, {
	var sig;

	sig = Mix(

	Out.ar(0, sig);
}).play;
)