diff --git a/eli_fieldsteel_examples/aphex_twin_rhubarb_EF.scd b/eli_fieldsteel_examples/aphex_twin_rhubarb_EF.scd
new file mode 100644
index 0000000..fdc7125
--- /dev/null
+++ b/eli_fieldsteel_examples/aphex_twin_rhubarb_EF.scd
@@ -0,0 +1,96 @@
+(
+s.waitForBoot({
+
+	s.newBusAllocators;
+	~revbus = Bus.audio(s, 2);
+
+	SynthDef(\rhubarb, {
+		var bn, pn, osc, sig, env, freq = \freq.ir(440);
+		bn = Crackle.ar(1.99!4); // EMF: I find crackle is more interesting with a choas parameter closer to 2
+		bn = LPF.ar(bn, 1000); // EMF: 10 is such a low cutoff frequency that you're essentially muting the crackle UGen. Raised to something higher
+		bn = GlitchBPF.ar(bn, freq * {Rand(-0.2, 0.2).midiratio}.dup(4), \rq.ir(0.01), 24);
+		osc = LFSaw.ar(freq * {Rand(-0.2, 0.2).midiratio}.dup(4), {Rand(0.48, 0.52)}.dup(4));
+		osc = LPF.ar(osc, (freq * 2).clip(20, 20000));
+		osc = osc * LFDNoise3.kr(0.1!4).exprange(1.1, 1.5);
+		osc = Fold.ar(osc, -20, 20); // EMF: wavefolding only happens if the input signal amplitude exceeds the bounds provided. osc has a pretty normal range and won't ever exceed ±20. You can see in the previous line (LFDNoise3) I'm only amplifying it by a maximum factor of 1.5. It's actually small boundary values with Fold that cause audible results (change to the folding min/max to -0.1, +0.1 and you'll notice the sound changes significantly)
+		osc = LPF.ar(osc, 400).tanh(20) * 0.12;
+		env = Env.asr(\atk.kr(0.35), \sus.kr(1), \rel.kr(2), \crv.ir(-2)).ar(2, \gate.kr(1));
+
+		// EMF: Passed pink noise through lowpass filter before mixing to better mirror spectral profile of original track
+		sig = bn + osc + LPF.ar(PinkNoise.ar(0.015!4 * LFDNoise3.kr(1).exprange(0.35, 1)), 3000);
+		sig = sig * LFDNoise3.kr(0.1!4).exprange(1.1, 1.2);
+		sig = Splay.ar(sig, spread: 10); // EMF: spread caps out at 1, larger values don't do anything extra
+		sig = sig.tanh * \amp.ir(0.25);
+
+		/*sig = sig + BPF.ar(sig, 400, 0.3, 1, 0);
+		sig = sig + GlitchBPF.ar(sig, 400, 1, 1, 0) * 0.1;*/
+
+		// EMF: reduced Comb mul parameter to less than 1, the delay felt too prominent
+		sig = sig + CombL.ar(sig, maxdelaytime:0.2, delaytime:0.2, decaytime: 1.0, mul: 0.3) * 0.4;
+
+		sig = sig * env * 4; // EMF upscaled output gain to a healthier level
+		Out.ar(\out.ir(0), sig);
+	}).add;
+
+	SynthDef(\reverb, {
+		var sig, verb;
+		sig = In.ar(\in.ir(~revbus), 2);
+		verb = GVerb.ar(sig.sum, 299, 1);
+		// verb = JPverb.ar(verb, 299, 1);
+		verb = JPverb.ar(verb, t60: 2.0, damp: 0.0, size: 3.0, earlyDiff: 0.1, modDepth: 0, modFreq: 1.0, low: 1.0, mid: 1.0, high: 1.0, lowcut: 500.0, highcut: 2000.0);
+		verb = LPF.ar(verb, \lpf.ir(12500), \amp.ir(0.2));
+		sig = sig.blend(verb, \mix.kr(0.8));
+		Out.ar(\out.ir(0), sig);
+	}).add;
+
+	s.sync;
+
+	~rev = Synth(\reverb, [in: ~revbus, out: 0], s, \addAfter);
+
+	t = TempoClock(86/60);
+
+	p = Pbind(
+		\instrument, \rhubarb,
+		\dur, Pseq([ 1.5, 4.5, 1.5, 1.5, 5 ], inf),
+		\sustain, Pkey(\dur),
+		\midinote, Pseq([
+			[ 57, 62, 66 ],
+			[ 54, 57, 61 ],
+			[ 57, 61, 64 ],
+			[ 52, 56, 59 ],
+			Prand([[ 33, 50, 54, 57], [ 50, 54, 57 ]], 1),
+		], inf) - 0.1,
+		\amp, 1,
+		\atk, Pwhite(0.2, 0.5),
+		\rel, Pexprand(1.2, 2.5),
+		\out, ~revbus
+	).play(t)
+});
+)
+
+
+
+(
+SynthDef(\rhubarb, {
+    var bn, pn, osc, sig, env, freq = \freq.ir(440);
+    bn = BrownNoise.ar(0.02); // Subtle noise for warmth
+    bn = BPF.ar(bn, freq * {Rand(-0.1, 0.1).midiratio}.dup(4), \rq.ir(0.01), 8);
+
+    osc = LFSaw.ar([freq, freq * 1.01, freq * 0.99], {Rand(0.48, 0.52)}.dup(3)); // Multiple detuned oscillators
+
+    // Removed aggressive band-limiting for more high-end content
+    osc = osc * LFDNoise3.kr(0.1!4).exprange(1.1, 1.5);
+    osc = Fold.ar(osc, -1, 1);
+    osc = LPF.ar(osc, 2000, 0.4); // Analog-style low-pass filter with resonance
+
+    env = Env.asr(\atk.kr(0.1), \sus.kr(1), \rel.kr(2), \crv.ir(-2)).ar(2, \gate.kr(1));
+
+    sig = bn + osc + PinkNoise.ar(0.015!4 * LFDNoise3.kr(1).exprange(0.35, 1));
+    sig = sig * LFDNoise3.kr(0.1!4).exprange(1.1, 1.2);
+    sig = Splay.ar(sig);
+    sig = sig.tanh * 0.15; // Subtle distortion for warmth
+    sig = sig * env;
+
+    Out.ar(\out.ir(0), sig);
+}).add;
+)
\ No newline at end of file
diff --git a/eli_fieldsteel_examples/autechre_tri_repetae_revision.scd b/eli_fieldsteel_examples/autechre_tri_repetae_revision.scd
new file mode 100644
index 0000000..d648f38
--- /dev/null
+++ b/eli_fieldsteel_examples/autechre_tri_repetae_revision.scd
@@ -0,0 +1,28 @@
+(
+{
+	var sig, freq;
+	freq = LFNoise2.kr(4).exprange(10, 20);
+	sig = LFSaw.ar(freq!2);
+	sig = LPF.ar(sig, 1000);
+	sig = sig * 0.2;
+}.play
+)
+
+
+// EMF: newer version
+(
+{
+	var sig, freq;
+
+	// EMF: using LFSaw instead of noise generator to control frequency, better imitation of the original
+	freq = LFSaw.kr(0.35.neg).range(0.5, 27).lincurve(0.5, 27, 0.5, 27, -4);
+	sig = LFSaw.ar(freq ! 2);
+
+	// EMF: experimenting with lowpass/highpass parallel sum. very rough approximation of what i hear, needs tweaking
+	sig = [
+		LPF.ar(sig, VarSaw.kr(0.35, 0.5, width: 0.02).exprange(200, 10000).lag(0.05), 0.2),
+		HPF.ar(sig, VarSaw.kr(0.35, 0.5, width: 0.02).exprange(20, 3000).lag(0.05));
+	].sum;
+	sig = sig * 0.2;
+}.play
+)
\ No newline at end of file