diff --git a/aphex_twin_rhubarb_EF.scd b/aphex_twin_rhubarb_EF.scd
deleted file mode 100644
index 4e99d34..0000000
--- a/aphex_twin_rhubarb_EF.scd
+++ /dev/null
@@ -1,93 +0,0 @@
-(
-s.waitForBoot({
-
-	s.newBusAllocators;
-	~revbus = Bus.audio(s, 2);
-
-	SynthDef(\rhubarb, {
-		var bn, pn, osc, sig, env, freq = \freq.ir(440);
-		bn = Crackle.ar(1!4);
-		bn = LPF.ar(bn, 10); // Low-pass filter to reduce high frequencies
-		bn = GlitchBPF.ar(bn, freq * {Rand(-0.1, 0.1).midiratio}.dup(4), \rq.ir(0.01), 24);
-		osc = LFSaw.ar(freq * {Rand(-0.1, 0.1).midiratio}.dup(4), {Rand(0.48, 0.52)}.dup(4));
-		osc = LPF.ar(osc, (freq * 2).clip(20, 20000));
-		osc = osc * LFDNoise3.kr(0.1!4).exprange(1.1, 1.5);
-		osc = Fold.ar(osc, -20, 20);
-		osc = LPF.ar(osc, 600).tanh(20) * 0.12;
-		env = Env.asr(\atk.kr(0.35), \dec.kr(3), \sus.kr(1), \rel.kr(2), \crv.ir(-2)).ar(2, \gate.kr(1));
-		sig = bn + osc + PinkNoise.ar(0.015!4 * LFDNoise3.kr(1).exprange(0.35, 1));
-		sig = sig * LFDNoise3.kr(0.1!4).exprange(1.1, 1.2);
-		sig = Splay.ar(sig, spread:10);
-		sig = sig.tanh * \amp.ir(0.25);
-
-		/*sig = sig + BPF.ar(sig, 400, 0.3, 1, 0);
-		sig = sig + GlitchBPF.ar(sig, 400, 1, 1, 0) * 0.1;*/
-
-		sig = sig + CombL.ar(sig, maxdelaytime:0.2, delaytime:0.2, decaytime: 1.0) * 0.4;
-
-		sig = sig * env;
-		Out.ar(\out.ir(0), sig);
-	}).add;
-
-	SynthDef(\reverb, {
-		var sig, verb;
-		sig = In.ar(\in.ir(~revbus), 2);
-		verb = GVerb.ar(sig.sum, 299, 1);
-		// verb = JPverb.ar(verb, 299, 1);
-		verb = JPverb.ar(verb, t60: 2.0, damp: 0.0, size: 3.0, earlyDiff: 0.1, modDepth: 0, modFreq: 1.0, low: 1.0, mid: 1.0, high: 1.0, lowcut: 500.0, highcut: 2000.0);
-		verb = LPF.ar(verb, \lpf.ir(12500), \amp.ir(0.2));
-		sig = sig.blend(verb, \mix.kr(0.8));
-		Out.ar(\out.ir(0), sig);
-	}).add;
-
-	s.sync;
-
-	~rev = Synth(\reverb, [in: ~revbus, out: 0], s, \addAfter);
-
-	t = TempoClock(86/60);
-
-	p = Pbind(
-		\instrument, \rhubarb,
-		\dur, Pseq([ 1.5, 4.5, 1.5, 1.5, 5 ], inf),
-		\sustain, Pkey(\dur),
-		\midinote, Pseq([
-			[ 57, 62, 66 ],
-			[ 54, 57, 61 ],
-			[ 57, 61, 64 ],
-			[ 52, 56, 59 ],
-			Prand([[ 33, 50, 54, 57], [ 50, 54, 57 ]], 1),
-		], inf),
-		\amp, 1,
-		\atk, Pwhite(0.2, 0.5),
-		\rel, Pexprand(1.2, 2.5),
-		\out, ~revbus
-	).play(t)
-});
-)
-
-
-
-(
-SynthDef(\rhubarb, {
-    var bn, pn, osc, sig, env, freq = \freq.ir(440);
-    bn = BrownNoise.ar(0.02); // Subtle noise for warmth
-    bn = BPF.ar(bn, freq * {Rand(-0.1, 0.1).midiratio}.dup(4), \rq.ir(0.01), 8);
-
-    osc = LFSaw.ar([freq, freq * 1.01, freq * 0.99], {Rand(0.48, 0.52)}.dup(3)); // Multiple detuned oscillators
-
-    // Removed aggressive band-limiting for more high-end content
-    osc = osc * LFDNoise3.kr(0.1!4).exprange(1.1, 1.5);
-    osc = Fold.ar(osc, -1, 1);
-    osc = LPF.ar(osc, 2000, 0.4); // Analog-style low-pass filter with resonance
-
-    env = Env.asr(\atk.kr(0.1), \sus.kr(1), \rel.kr(2), \crv.ir(-2)).ar(2, \gate.kr(1));
-
-    sig = bn + osc + PinkNoise.ar(0.015!4 * LFDNoise3.kr(1).exprange(0.35, 1));
-    sig = sig * LFDNoise3.kr(0.1!4).exprange(1.1, 1.2);
-    sig = Splay.ar(sig);
-    sig = sig.tanh * 0.15; // Subtle distortion for warmth
-    sig = sig * env;
-
-    Out.ar(\out.ir(0), sig);
-}).add;
-)
\ No newline at end of file