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Chuck Wrenn Interview
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<time itemprop="datePublished">
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2024-03-10 00:00
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<a href="/tags/interview">interview</a>
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<div id="buzzsprout-player-14664851"></div><script src="https://www.buzzsprout.com/2320027/14664851-chuck-wrenn-on-richmond-s-hippie-scene-in-the-70s.js?container_id=buzzsprout-player-14664851&player=small" type="text/javascript" charset="utf-8"></script>
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<hr>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Hey everybody! In this episode I’ll be interviewing Chuck Wrenn. Chuck Wrenn is
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someone who had a heavy involvement in the Richmond music scene from the first
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psychedelic dance in VA, all the way up to High on the Hog. He’s lived in
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Richmond his whole life and has been part of some crazy scenes. I love Chuck.
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I’ve known Chuck since I was born and he helped raise me, so this is a very
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special interview to me. The music used is an improvised piece by Peter Lyon
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Huff that he recorded in my basement for this interview.</p>
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<hr>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Alright man, whatcha got in mind?</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>You were telling me earlier that you used to explore abandoned buildings in
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Richmond. Did you ever have an encounter with the police?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>My closest experience with old buildings and police was when there was an empty
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building downtown – not all the way downtown, but I guess around first street
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I’d say. Foushees. It was a vacant building that had a stained glass window in
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the side of it. And me and my brother and law at the time said, “I’d really like
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to get that stained glass window, and I said “alright, we can go get that.” We
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took our tools, just hand tools to go in and pry that window out. While we were
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in there working on the window, somebody called the cops. So the cops showed up
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at the place. There was no way out. We couldn’t get out. And the cops were
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heading in the house, so he and I opened up the door and got behind the door up
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against the wall and the cops came in with flashlights and looked all around and
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walked out the room. We were right behind the damn open door up against the
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wall. Boy that was one helluva a night.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Yeah, what else happened that night?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Just waited for the cops to leave. If they had a dog, we would’ve been shit.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>When was the first show you organized?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>The first big one… I started out doing that stuff in highschool. I had friends
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in bands and I’d put on a show and advertise it around school and a couple
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hundred people would come and we’d rent a place to put on a show. The first
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really big one I did – there used to be a ballroom called Tantilla Ballroom, it
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was down on Broad St. It has a really long, great history. It was considered to
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be the major ballroom in the South, it’s torn down now. Me & a couple of buddies
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rented this ballroom and put on the first psychedelic dance in the state of VA.
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We rented a bunch of equipment to put the show on. We rented so much equipment
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– we sold the show out – and rented so much equipment we lost money on it.
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That was a big one. Gosh, since then, there’s been countless shows. Up to “High
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on the Hog.” Now, I wasn’t the only guy that did the “High on the Hog.”</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Tell me about Woodstock. Did you have any role in organizing it?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>I didn’t have anything to do with putting it on, but before that there was a
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festival called Atlantic City Pop. A buddy of mine had a leather good store. And
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he was gonna go out in a booth and sell the stuff that he’d made. It was a great
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time. Saw a lot of great bands. We were just up there running his booth. But
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while I was up there, I noticed a lot of people wearing tie-dye shirts and
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people were selling them. Came back to Richmond and said, “we can do this at
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Woodstock.” So my wife and I and a couple of friends started tie-dying t-shirts
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at our apartment. We tie-dyed a shit ton of them. We’d go out and buy big cases
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of white Hane’s t-shirts and come home and have a couple of pots on the stove.
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And my wife and I (we were the only people that went up to Woodstock). We loaded
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up all the t-shirts and went up to Woodstock. We got up there Thursday before
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they closed the interstate and got within a mile from the stage. Fairly close at
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the time. People were just coming in and parking on the side of the road, so if
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you were there you weren’t going anywhere. There wasn’t no way you’d be getting
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out. So we set up our little tie-dye shirt thing. I had some pipe and we opened
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the doors and duct-taped the pipe and started hanging up the t-shirts. So we’re
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selling t-shirts up there. I had a big cooler of beer with me. It was going
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great. Then people started coming by and a guy came by and said, “I’d really
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like to get this shirt, but I don’t have any money. Would you take some hash for
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it?” I said, “yeah sure.” So we’re doing that. Now other people would come by,
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“I don’t have any mother either, but I like the shirt. Would you swap for some
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acid?” And next thing I know, we’ve got pot, hash, acid – along with the
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t-shirts. So I set a sheet over the hood of the car and I started putting out
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the stuff with prices that we’d swapped for. So now we’re selling tie-dyed
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t-shirts, pot, LSD. Hehehe! We never got to the stage until Sunday. We got there
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on Thursday. But it was such a crazy scene. And then people were going “I’m
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drinking this beer.” I said “you got anmyore of that beer, you wanna sell some?”
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They said, “okay!”. So now I’m selling beer. Just crazy. Crazy shit.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>How’d you get to know Bruce Springsteen?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Well, Bruce started coming to town – first time I saw Bruce and his band was in
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Monroe park and they came down and played free. No one had heard of them. They
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were just kids from New Jersey. They came down in a beat-up old truck and
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equipment and set up in Monroe park and played. I knew they were gonna be a big
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deal, because even as kids – I guess Bruce was like 18 – and they were good
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from the start. First time I ever saw them, I said “man, these guys are gonna be
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<em>something</em>.” And they were one of the first bands, maybe the first band, I ever
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heard that mic’d all the amps through the PA. So instead of just having the amps
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and playing at that volume, they put mics in front of the amps and put them into
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the PA so you get this huge sound. They’d come to Richmond and they didn’t have
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a lot of places to play. They had Asbury park in NJ. Richmond got to be one of
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the places that were real popular from them. They’d come down every month or
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two, I guess, and play. I got to be friends with ’em and did a lot of posters
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for the band and that kind of stuff – just liked ’em. Bruce never stayed at my
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house, but most of the band did. And at that time, my wife, my wife at that time
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would make up a big spaghetti dinner and feed the band and they’d sleep on the
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floor. We did that for a while. They got to where they didn’t need to sleep on
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my floor anymore. Ahehehe! Bruce used to come to my apartment and eat dinner and
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stuff, but Bruce always pretty-much stayed to himself. He was not a party guy at
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all. Didn’t drink, didn’t take any drugs, didn’t smoke pot. The rest of the guys
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were pretty much rollin’, they were a rock ’n roll band.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Speaking of pot, didn’t you have a club called “The Health Club”?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Yeah! Heh, T-H-C. It wasn’t anything official, it was just some guys, friends of
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mine. At that time we were into 10-speed bikes and we’d go out to the park early
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in the morning and ride laps. We had another group called “The Bothers”. Our
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motto was “we do both”. I drew a t-shirt that had a joint and a bottle of beer
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walking down the street arm-and-arm. The beer was holding a joint, and the joint
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was drinking holding a beer. The bothers, “we do both.” All those apartments
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around “Harrison St” and “Park Ave” were where a lot of kids lived. It was a
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real social thing. You’d come over and knock on someone’s door, “hey what’s
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happening?” smoke a joint. Everyone was just hanging out. Listening to records
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and all that kind of stuff.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Tell me about your drug experiences?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Taken – well, not every drug, but I’ve taken a lot of drugs. Not for any length
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of time. Just for the experience.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Are there any trips you remember distinctly?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>One experience – I used to live on the corner of Harrison St and Grove Ave.
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There was a 3-story building that burnt down, not there anymore. But I had an
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apartment on the third floor; and I had taken some LS– acid. Across the street
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there was a laundromat that had a soft drink dispensing machine. I had decided
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that I would like to have a Coke. Came downstairs, stood on the sidewalk. There
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was a stoplight. I was waitinga nd nhe light would change and I’d step off a
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couple of steps and the light would change back and I’d walk back. I could never
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get across the street! Ended up just going back to my apartment. It was just
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crazy shit like that. Funny stuff. It was all in good fun. Not anything at the
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time about. Just everybody laughing.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Where did the laughter go?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>That’s what I’m wondering!</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>What time was this?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>That was the late ’60s. Then it got to a point where cocaine came on the scene,
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and that was a whole different thing. That was awful.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>The ’80s?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Yeah, that would’ve been the disco time.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Cocaine and disco.”</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Not any fun. Neither one of them.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>When did you buy your house in Church Hill?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>I bought that house with my first wife in 1975. I was there 45 years and Hollie
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was there with me for 25.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>You bought it when the area was completly different.</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Trashed. Real dangerous to be up there. It was not a developed place like it is
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today at all.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Not a place to raise children.</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Nah, I mean <em>dangerous</em>. I got shot twice when I was living up there. It was not
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a good neighborhood. Most of the houses were just flop houses, crack houses.
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When I bought my house, the upstairs of the house was uninhabitable, the
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downstairs had pad-locks on every door and a heater in the middle and
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mattresses. I took 15 mattresses out of that place when I bought it. Our
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parents thought we were nuts to buy that house, that we were gonna be killed.
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You walked in Libby park and there were just syringes and wine bottles and
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liquor bottles laying around the trees. You couldn’t go out at night.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Speaking of which, you have two bullets in your body from being shot.</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Yep, I told him that. I was in a robbery. I wasn’t robbing, but I was being
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robbed and ended up getting shot twice. Once in the side here, and once in my
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but over here. I was obviously running. The guy shot me in the back.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>This was at your workshop, right?</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Yeah, I had a workshop that I rented with another guy. It was up on 33rd and
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Marshall. I’ve been half-shot lots of times, but when you get really <em>shot</em>. It
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burns. It’s just hot. It’s like someone hit you really hard with a paddle.
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That’s what it feels like. But it didn’t do any real damage. I was in the
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hospital five days. It wasn’t anything life-threatening.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>There was a certain story I heard about you in Church Hill regarding your dog.
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Tell the story, Chuck.</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>This was my first dog with my first wife, Mira, the dancer. We lived on Franklin
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St. We had separated, so it was just me and the dog on Franlkin St and my wife
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moved into another place. I was working in the restaurant business, as usual.
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The dog was really old, and I had put a sheet and some plastic down in the
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downstairs room. The dog was incontenent. Put the food bowl down. It was warm in
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the summer, had a window fan in there for the dog. And I came back from work one
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night and the dog had eaten dinner then laid down in front of the fan and died.
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It was just there. So I was thinking, “what am I gonna do?” I wrapped the dog up
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in the sheet and said, “I’ll just have to deal with it in the morning.” I went
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upstairs and I couldn’t sleep. I just couldn’t sleep like that. I came back down
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and put the dog in my van and got a shovel and put on my boots and went over to
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the Libby Park overlook, which is where we used to always walk. And I dug a
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significant grave for the dog at the overlook. There was a cop up there named
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Mongo. Mongo was his name. He was a really good guy and friend of everybody on
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Church Hill. Everybody knew him. It was back when the police had a beat. His
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beat was our neighborhood. He’d go by and stop and help people take groceries in
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the house and he was a good friend. So he pulled up and wanted to know what I
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was doing. The dog was still wrapped up in the sheet in the truck and I’m
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digging this grave.</p>
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<p>He says, “what’s going on?”</p>
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<p>I told him tearfully and sentimentally, “my old dog died and I’m burying him. I
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know I shouldn’t be doing it [here], but this is a special place.”</p>
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<p>He said, “I’ll let you go do that, no problem, but first I need to look at the
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dog.”</p>
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<p>I opened up the truck and showed him the dog and pulled the blanket back and he
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said, “go ahead.”</p>
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<p>I finished burying the dog and all that and the night was over. But it was
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pretty damn funny. “I don’t know what you’re doing, but I need to look at the
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dog.”</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Make sure it’s not a person.</p>
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<p><strong>Chuck Wrenn</strong></p>
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<p>Make sure it’s not my wife! Yeah, that was pretty funny. Well it is now, but it
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was rough then.</p>
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<p><strong>Leonard Francis Coogan</strong></p>
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<p>Alright thanks for listening. In the next episode I’ll be interviewing Gen Ken
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Montgomery who ran the Generator Sound Art gallery in NYC.</p>
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<HR width="100%" id="EOF">
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<p style="color:#777;">Last modified on 2024-03-10</p>
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Existential Beauty
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Hugo Theme <a href="https://github.com/amazingrise/hugo-theme-diary">Diary</a> by <a href="https://risehere.net/">Rise</a>
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<br>
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Ported from <a href="https://mak1t0.cc/" target="_blank" rel="noreferrer noopener">Makito</a>'s <a href="https://github.com/SumiMakito/hexo-theme-journal/" target="_blank" rel="noreferrer noopener">Journal.</a> <br>
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Hugo Theme <a href="https://github.com/amazingrise/hugo-theme-diary">Diary</a> by <a href="https://risehere.net/">Rise</a>
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Ported from <a href="https://mak1t0.cc/" target="_blank" rel="noreferrer noopener">Makito</a>'s <a href="https://github.com/SumiMakito/hexo-theme-journal/" target="_blank" rel="noreferrer noopener">Journal.</a> <br>
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